Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.
全片真的没有一处地方make sense, pure maddness and chaos,人死了无人考证,反而消费死者变成了一场群体狂欢,从最开始着火的垃圾桶就知道这部电影就能看出几分混乱的端倪。少年的不成熟心志快速的让内心的黑暗种子生根发芽,屡次的杀人也不能填补内心的空虚。a fucked up world在一所高
呼延锨攀
第一次观看塔可夫斯基的影片,有一些不太理解的困惑,也有被片子征服的快感
钟离菊阜
唯一的一星给电影的音乐,相当出色
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夏侯辗承